Persian Color: Nine Iranian Artists, Curated by Bill Carroll Past

Thursday, Jan 7, 2016 ,
6:00 PM
- New York, NY, United States

“I have had the great pleasure to meet, and work with, a number of highly talented Iranian artists. These artists are creating a wide variety of compelling work. Invited by Shirin Gallery to curate a show, I immediately knew that I wanted to focus on these artists. I arrived at a theme by thinking of my earliest encounters with classical Persian art and my overwhelming visceral response to it. I love the complex narrative of Persian miniatures, the abstract patterns of the tiles, and the graceful and exotic forms of the architecture. But most of all I am always struck by the uniquely beautiful and sensual color. The nine Iranian artists chosen for Persian Color make works that, in one way or another, are in dialogue with the extraordinary visual pleasures, and colors, of their Persian heritage.”

-Bill Caroll

“As a collage artist, colors play a big part in connecting and blending different images and shapes together in order for me to be able to tell my stories.”

“For the ‘Persian Color’ show, the most prominent color that came to mind was that specific green associated with the Imam Hussain. More recently (in 2009), it was used as the color of the Iranian Green Revolution.”

“I have a need to investigate Iran – its people, its culture, its history – but mostly I have been longing for its colors…”

“The Sky Allure aims to portray the mysterious fascination and attraction of Blue in Persian art. The paradox is of Blue being referred to as the purification and mystic color and also referred to as the eye color of the evil in Persian literature.”

“Tehran Lovers ( Panel #4 ) is part of a 6 piece body of work proposing my approach to the status of Iran’s youth in the light of post-nuclear deal expectations.”

“Leaps, #2 is a study for a much larger piece relating to the geometric articulation of energetic relationships and the human desire to do the impossible.“

“While inspired by architectonic motifs, a tension is formed with the juxtaposition of traditional and modern elements, the past and the present, as the structures appear frozen in moments of crumbling and falling apart.”

“Connecting the historic and contemporary nuances of Persia through lines inspire by hip hop culture.”

“The body and our very human desire to adorn, identify, display and categorize ourselves influence this piece and my work in general”

BILL CARROLL has been involved in the New York Art World for over 30 years. Besides curating, he is presently the Director of the EFA Studio Program, an exhibiting artist, and teaches at Pratt Institute.


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